October 2, 2014

Bonnie & Clyde (1967, Action Romance): Short Visual Literacy Analysis (Cinematography)

Bonnie & Clyde


Bonnie and Clyde (1967) is a movie that uses dark, foreboding lighting to create the ambiance of the theme of the film. This is first shown in the diner scene. The lighting is quite up with very few dark spaces. This is because Bonnie is seeing herself having a very light future with Clyde. She believes that his life is exciting, and by extension so will hers be. Little does she notice that he is more in shadows than her, because his shady past has made him overly cautious and wary of his surroundings.

The next scene that grabs the attention with lighting is when we meet the brother's wife, Blanche. Her face is completely shadowed at first while she is in the car. This shows that she is not going to be an easy person to get along with. As the film progresses, the lighting on her gets lighter for a little while before becoming darker and darker as more things happen, such as robberies, running, etc. Her face lightens when they get their “first home,” because she is seeing a better day after her nerves of meeting the family. Then with each new robbery, each new shot, her face gets darker to show her getting further away from the preacher's daughter that she used to be, even though she did not even hold a weapon.


The scene where Bonnie says, “A man who says he's not much of a lover has a kind of love that isn't love at all,” as she storms out of the car is very bright, perhaps overly bright. This shows the that the truth is coming out, but when she speaks these words both her face and Clyde's turn dark. This symbolizes that he is hurt and shutting down because he does care for her, but he does not know how to show it very well. For her, it shows that she is giving in to him and apologizing for such harsh, abrupt words. As time moves on, Bonnie gets much darker lighting than in the beginning. She is light after the first couple of robberies, but then as the excitement wears off and Clyde turns down more and more possibilities, she gets to be more and more depressed it seems. She needs to live in the wild, crazy, and absurd for a happy life. In the end, she realizes that all she wanted was a normal life with Clyde. It shows in the lighting here, too. They are well lit as Clyde runs from the bushes, even with Bonnie in the car. They smile at each other until they are shot multiple times simultaneously and die.

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